Orange Mound: The Black Filmmaking Odyssey

Inspiring Black History and Culture Through Film

Anthony “Amp” Elmore, a visionary filmmaker from Memphis, Tennessee, embarked on an extraordinary journey—one that would not only celebrate Orange Mound’s rich history but also inspire generations to come. His film, “Rock and Roll: A Black Legacy,” wasn’t just a product of imagination; it was a testament to guerrilla filmmaking skills, creativity, and determination.

The Orange Mound Superhero

In the modest historic Black community of Orange Mound, Elmore owned a 5,000-square-foot home. He painted it orange, transforming it into a beacon of pride. Within its walls, he envisioned a superhero—a Melrose High School graduate who pursued higher education at Howard University in Washington, D.C. Through a track scholarship, she became a renowned Afro-centric writer. Her journey led her to Kisumu, Kenya, where she experienced both triumph and heartache.
Uncovering Elvis’s Black History

Elmore’s film delved into the surprising connection between Orange Mound and Elvis Presley. Contrary to popular belief, Elvis frequented Orange Mound, leaving an indelible mark. The film revealed this hidden history, challenging perceptions and inspiring residents to embrace their heritage.

Uhuru Imani’s Protest

The star of the film, Uhuru Imani, ignited a protest at Graceland—the iconic home of Elvis. She demanded recognition of Black history within its walls. Her courage resonated with Orange Mound residents, who found renewed pride and inspiration.

Empowering Youth and Honoring Elders

Elmore’s mission extended beyond the screen. He provided opportunities for local youth to participate in the film, fostering their creativity and dreams. Simultaneously, he captured images of elderly Orange Mound residents, ensuring their legacies would endure.
Challenging the Film Commission

Elmore confronted the Memphis Shelby County Film Commission’s bias toward White films. He believed that Black filmmakers deserved equal support. With little budget but immense determination, he proved that successful films didn’t require Hollywood extravagance.

The Birthplace of Independent Theatrical Filmmaking

Orange Mound became a living film set, a testament to Black filmmaking culture. Elmore challenged Memphis Mayor Paul Young to address racism within the Film Commission, advocating for fairness and inclusivity.

Anthony “Amp” Elmore: The Father of Independent Filmmaking

Elmore’s legacy extended beyond Orange Mound. His 1988 film, “The Contemporary Gladiator,” made history as the first kickboxing film worldwide. His journey inspired not only Orange Mound but all of Black America.

A Call to Action

We urge Memphis to recognize Elmore’s contributions officially. Let’s celebrate Orange Mound as the birthplace of independent theatrical filmmaking. Together, we can break down barriers, create powerful stories, and build a vibrant Black filmmaking community.

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